Amusingly, the card that came up for the Future was the card on the right. It is from "The Dunwich Horror" and shows a hideous, once-humanish monster destroying a house, which more than adequately sums up how I felt living there. Prior to this, I had already made the decision to move out of The Shunned House and leave behind The Thing on the Doorstep.
I purchased this box, paying not too handsomely, a complete day after receiving what were to be its contents. Do not let this unassuming little box fool you. The patterns engraved on its surface may look to be harmless floral carvings, but legend dictates they are the ancient aeon-lost depictions of some eyeless, squamous Thing descended from black, starless realms on their nightish wings of cosmic horror. And what lies within? Some have heard of the fabled Alethiometer, a pictorial device for divining the answers to questions - these are cards known as "Tarot", from the Italian "Tarocchi" which has no known origin. Unknown perhaps, because the origin is too unthinkable to rest in any suitable way in our fragile human existences: mentions have been made of Azathoth ... the Nameless Mist ... Cthulhu. These Tarot Cards are based on the works on H.P. Lovecraft, so for example, the bottom centre card there, The Moon, depicts a scene from "Shadow Over Innsmouth", while the card on the right is from "The Outsider". It is nice to spot references in the artwork this way. I myself do not believe in any magical workings of the Tarot, but it certainly makes for a fun game. Using these cards as an example, a reading goes like this: The card in the centre represents the Present - what are you running away from, who is chasing you? The card on the left represents the Past - what was lurking behind you in your past? And the card on the right is your future - what will you become if you keep running away? Additional cards can be added to address further elements such as Cause, Effect, Theme, Mood, etc. I like the artwork of this deck - it certainly fits the theme of Lovecraftian. Some of it can be rather bright, whereas other cards are stark, but all seem mysterious and hinted with the macabre. Lovecraft himself is depicted on the back holding his fabled "Necronomicon". Here are four of the "Major Arcana" that I find particularly interesting. The Fool, trapped in his straitjacket looks not mad, but simply beaten as he is surrounded by daemons of the night. The Lovers stand together on a pathway, while above them looms an unknown figure. Judgement shows a man standing before a rainbow, and the wind taking his hat far into the air. And Death is not depicted here as usual, as a figure; instead two vast doors open up in the mountainside, and a trail of figures walk endlessly in. Here are two interesting cards I wish to talk about. The first is my favourite in the whole deck; it depicts a man, blindfolded, playing the violin - he stands raised above horrendous creatures, safe from them as long as he focuses on his music. This may be a reference to "The Music of Erich Zann". (Click To Enlarge.) I was having a rather bad time in my old house, because one of the people I lived with was rather stressful and bothersome, so for fun I asked the Tarot Cards about it. The "Present" card was the violin card there, and I felt pleased that I was able to find comfort in my own skills and beauty: I take the violin music to represent these elements.
Amusingly, the card that came up for the Future was the card on the right. It is from "The Dunwich Horror" and shows a hideous, once-humanish monster destroying a house, which more than adequately sums up how I felt living there. Prior to this, I had already made the decision to move out of The Shunned House and leave behind The Thing on the Doorstep.
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DOCTOR WHO BBC One, March - December This second half series 7 introduces us, officially, to the new, incredibly super-duper companion Clara Oswald. This year was the 50th Anniversary of Doctor Who, and in addition to the original series, there was an anniversary special shown on the 23rd of November. I personally thought the special could have had been more exciting - more Doctors! - and so ultimately I preferred the episodes in the main series such as "Hide", "Nightmare In Silver", and, favourite, "The Name of the Doctor". Then, at Christmas, the Doctor regenerated. BLACK MIRROR Channel 4, February Mr Charlie Brooker has us totally uncertain of what is going to happen. In this second series, the first and last episodes were quite good, but what stood out for me was episode two: "White Bear." It is extremely strange and brilliant as we wonder what on earth is going on. A woman is being chased by strange people with animal masks, and yet most onlookers just film her on their mobiles without helping. Why, why, why? It is odd, scary and has a perfectly wonderful twist. The whole series is very telling of our modern world, in technology, uncertainty and fear. THE GREAT BRITISH BAKE OFF BBC Two, August - October This: some people bake some cakes in a tent, and it is unendingly exciting. It is Great, it is British and it is a lot of Baking. The contestants personalities really show through and it is easy to start taking sides and choosing favourites. On top of that is humour from presenters Mel and Sue, and tense scrutiny from judges Mary and Paul. It is just really, really good; and sweet, and chewy, and fun. It also makes you hungry. And you know who should have won this year? Ruby, because she was really good too. DON'T EVER WIPE TEARS WITHOUT GLOVES BBC Four, December Your usual good Scandinavian Drama contains a strong script, careful emotions, and beautiful cinematography - and here, it certainly is so. This was shown on BBC4 as part of World Aids Day, and pans out in three parts: Love, Disease, and Death. Wonderful imagery throughout: a boy touching a window with his hand, and the father wiping away the hand-print; this is shown to us in all three stages, and it relates to them all. Really strong cast - each of them individual and carried the emotions in differentiating ways; some funny, some serious, but each diverse storytellers through both romance and bereavement. My only complaint, really, is that the music was not on the same standard as the rest of the drama - it was quite slow and repetitive. With an improved composer, this could have been so much more emotional at a level it certainly deserved. DERREN BROWN - THE GREAT ART ROBBERY Channel 4, December Always such a big fan of Derren, and lately he has been working more with people instead of on himself. In this programme he gets some elderly people to help rob a gallery. I just found that the show wasn't as Derreny as it could have been. When you think of a gallery heist, it seems so exciting, but this was actually a pop-up gallery involving the kind of tricks I wouldn't normally associate with Derren. There were little moments like chip stealing, (and later, watch stealing) that were fun, but did not add the right dramatic level. Although Derren's usual joyous impishness shone through, this programme did not quite live up to his usual standard. DEATH COMES TO PEMBERLEY BBC One, December Contrary to suggestion, in no way did I shamefully watch this purely because it has Jenna Coleman in it. Certainly not. So anyway, Jenna right, she plays this character called Lydia who is a bit weird and annoying, but that makes her good because she keeps gigglingly stealing the limelight off the other characters. The programme is very well shot, with cinematography being absolutely lovely. The plot was slow, however, so I ended up using this as a kind of animated brochure for the National Trust. Oh yeah, this programme is some Pride & Prejudice murder thing - whatever. It was okay. It had Jenna Coleman in it, apparently, or something. THE ESCAPE ARTIST BBC One, November Three-part BBC dramas are rather popular now, and this one was good. Some of the writing felt a little amateur, but it rose above that and became quite tense indeed. Mr David Tennant was good, but what really made this good, and creepy, was Toby Kebble playing the baddie. He was acting so well that I forgot all about acting together and just sat there hating the character with dread. The only thing is that, despite this David Tennant Murder Thing, the other David Tennant Murder thing that I did not watch (Broadchurch) was voted the best drama on all year, so I wish I'd watched that instead, I suppose. ATLANTIS BBC One, October - December The BBC's answer to Merlin when Merlin isn't on, which I suppose was the Fantasy answer to Doctor Who when Doctor isn't on. It's silly in places, obvious in others - but it is actually rather enjoyable. A really good cast who act as grandly without dialogue as much as they do with it. The main three, Hercules, Pythagoras and Jason, bounce off each other in both the humour and seriousness of adventure. Contains frequent shirt-removal of nearly everyone. CURTAIN: POIROT'S LAST CASE ITV, November. I remember years ago settling down from 7 to 8 in the evening to watch Poirot on ITV. We must have watched them all, and so it was sad to see him go now. I like David Suchet and I think he plays Poirot well. This was a rather dull story though, I must say. It was touching to see Hastings and Poirot reunited, but other than that, goodness, not much happened. The idea was good, but it could have presented far better. The best thing was probably Philip Glenister trying on his Poshly-Poshlington accent when we all know he really sounds like Gene Hunt from "Life On Mars". AN ADVENTURE IN TIME AND SPACE BBC One, November. Out of all my mentions this year, this is probably the best. I love Doctor Who, I love Biopics, I love BBC - and on top of that it was all Englishy and nostalgic, and 60s. Penned by Mark Gatiss, I began worried because he writes the most boring episodes of Doctor Who - but this was a great story, and of course, a true one. It showed excitement, warmth and sadness, certainly - all of that, wrapped up around the nostalgia, made me go all squishy inside as if it were Christmas eve. A wonderful drama. I remember learning to play the keyboard at my Grandma & Grandpa's house in Hungerford - my sister and I used to love going upstairs after Christmas dinner to mess about with the musical notes. Occasionally my Grandpa would lean over me and press a few keys, trying to find the notes to a tune that matched his namesake as Bellman - he never played it in full; the keys on that keyboard were only half size anyway, so his fingers would accidentally press the notes either side and I never gained a full understanding of that mysterious tune. And mysterious it is. "The Bellman's Carol" also known as "The Moon Shines Bright" is mysterious and haunting. I am drawn more to these solemn-sounding Carols, with my favourite being "God Rest Ye Merry Gentlemen" - perhaps it is the Minor scale that makes them more appealing to me and reflects the dark, wintry nights within which Christmas sits. Carols such as "We Wish You A Merry Christmas" are just too high and bounding, and do not feel Christmassy to me. The Bellman's Carol is an English Folk Carol from the 16th to 18th Century. The function of this Carol was a "luck-visit", which means that Town Folk would go around the town singing it at people's doors. A piece of paper with the lyrics of the song would be pushed under front doors by the visiting singers - the paper was often inscribed with the good wishes of the Town Crier or "Bellman". Singers would later return to the house to collect a Christmas gift for the Bellman, for his function in the past is not the same as it is today - he was a night watchman who would carry a staff, lantern and bell for crying out the hours and protecting the streets. It seems to me that some of lyrics of this carol are a little heavy. Lots of Death and Jesus included here, and whereas you might think, "Well, it IS Christmas," my Christmas is never about that. My Christmas is all the better for not having Christ in it at all. Seeing as the Winter Mass Celebration was adopted by the church for Christ's birthday, and that this carol has many differentiating lyrics, it seems only reasonable to me to change and evolve the carol into a piece of further meaning and Christmas warmth. See below for my new version of the carol, alongside the original version.
Here are some further dark and odd verses that are sometimes sung in The Bellman's Carol. They are certainly not very Christmassy to me, but they do appear very Christian in their solemnity. The odd verses are obviously concerned more with the May Holiday than that of Christmas.
My Grandpa was Bellman and Town Crier of Hungerford, and this was a position that I am sure pleased many people at Christmas, not just myself and the family. His Morning Suit, trimmed with hunting pink, had that Dickensian Christmas feel to it, along with the black silk top hat, laced in gold; his fob watch and gold chain. He had even made the brass buttons on his jacket, imprinted with the Hungerford Town emblem of a six-pointed star and crescent moon. He would be there for the Hungerford Victorian Christmas Extravaganza, and come home smelling of cold, steam engines, warmth and cheer which would linger in my young mind as we drove home under the wide, starry night. How vast and empty those wintry nights seem now without him here for Christmas.
The house I used to live in had quite a lovely view looking out over Bath. I took these photos over six or so months, and I've put them here in order from Morning to Night. Early Morning Mist A Balloon Ride Golden Sunlight Arrival of the Rain After the Storm A Rainbow Night Falls
TIMETABLES I used to type up my timetables and print them off to fold into my pocket; I'd memorise them within a few weeks anyway, but it was nice to keep them pocketed. That is why they are all frayed, and the Year 10 one (far right) is torn in half. The top left one is from my first year and contains bothersome teachers such as IH (Mr Hamilton), who looked like Jasper Carrott, but had none of the humour. Centre, though, is Year 11, probably my favourite. English last thing on a Friday with Phil and AT (Mrs Tarrant) was great fun. SCHOOL WATCH This is actually my Primary School watch, not the one I wore to secondary school, but that is because I gave that one to my friend Josh on the last day - I knew we might not see each other again. The watches have a disc, instead of a second hand, that rotates a picture around the face. Josh's watch has a jet on it - I used to get told not to wear it during P.E. and Mr Oliver would take it and call, "Mr Smith! Come look at this little plane going round!" They liked it too. WHO DOUGLAS ADAMS IS I had this idea, with Sam, to ask the teachers if they knew who Douglas Adams was. I suppose it was our way of ascertaining some intelligence, though I suspect part of the reason we got on badly was due to that strange immediate dismissal so common when a student asks something. Good teachers, like Mr Mannion (ICT), actually listen which I suspect is part of the reason he knew Douglas Adams. Or am I being too hopeful in suggesting, if the others thought about it, they would know? MRS S.KIRWAN WOULD LIKE TO SEE YOU This was probably the slip I scanned and edited blank to print off. I gave one to Phil, who filled it out so badly he thought it wouldn't work, but the supply teacher let him go and Phil had to say, "Uh, well, no it was only a joke..." Anyway, it is a little odd to get called out of lesson "Now Please", so I was a little too quiet when receiving the "first Deputy Head Teacher Award I am giving out, because I hear you've been very good helping your teachers with their computers. haven't you? Well done." I did not know what to say. FLYERS My Tutor was an ICT teacher so, in the morning, I would always make and print these off for free. I tried to record a play but the people I cast never turned up, oddly, because they seemed so keen. Still, I had Phil and Sam and a few others. The best, though, was the 10 minute speech we had to do for English - I went on for 30 minutes and filled the classroom to twice its capacity with invited guests. The teacher was so impressed that she told her family all about it and gave me an, apparently unheard of, full marks. VINCENT'S PEN Andy Vincent left at the end of year 8. He was a friendly face in the classes, even if we did not talk much outside of them. I remember laughing with him, or tying him to a chair with red string in D.T. He never seemed to mind; I am sure he played up his annoyance, actually finding it funny. We both had the same Parker Pen but his ink was black and mine blue, so I would swap them in class when he wasn't looking. This isn't that pen, but he loved his pens, and I asked for something to remember him by. LUNCH WITH MR FLAVIN I am not entirely sure why, but Headmaster Mr Flavin had lunch with people in pairs. So I was with Andrew; both of us are rather shy, really, so we sat there quietly not really touching the sandwiches (I think cheese, then tuna) and tiny Battenburg Cake. He said we were too polite, and that he learnt everything he knew from "Reader's Digest". The event sticks in my mind because it rained afterwards and classes had started, so the empty grounds made it seem like Andrew and I were the only people left in the world. FIELD COINS I am rather good at finding money on the floor. At school I would find these minor coins with a gash down them. It took me a while (5 minutes) to work out what had happened - they had been mangled by the mower. The coins remind me of the school field where I used to love playing games with Sam, Alec and anyone else too. We used to have so much fun - I can't keep that field, but I can keep the coin to remind me. (The picture shows the same coin from both sides.) TUTOR FAREWELL I had the most Tutors out of anyone. Ending with Mrs Wakefield, I had Grumpy Mrs Preston who left, then Mr Criddle, who was nice, but told me not to "illustrate" my planner - he left. Then Mrs Dixon who left twice: once because she was part time, and again because she decided to move to Ridgeway School. She was kind to me, and could see the potential in me, but I still disliked her French classes because she would pick on me and I never knew what to say. Still, she also said many a kind word about me. FOR JACK VETTRIANO I was so lucky to get put into the "Lower" English class (despite having the highest grades) because there I had Mr Cammish. He was always so fun and kind, and occasionally rather grumpy, but he showed us all so much without actually doing much "teaching". He preferred old-style, but they paid him a lot of money to leave so they could replace him with an interactive whiteboard to make the school seem "modern". A shame. This is a poem he wrote, and I keep it to remind me of the positive impact he had on me, my learning, and my writing. I was talking to Adam the other day about Super Mario World - personally I find it a slight challenge, whereas everyone else I've seen play it (Josh, Phil, Adam) just soar their way along the levels. The only time I soared is when I did a sort of charge on Yoshi, fell off him, spin jumped across some floating piranhas, then landed back on Yoshi with a Super Cape and floated into the goal - it was total luck, but looked very impressive. "I always found that rather easy," said Adam, so I mentioned the unlockable "more difficult mode." "Hard mode...?" he said, "Do you mean when all the enemies change and it becomes autumn? Is it harder? I hadn't noticed, heh." It was some weeks previous that I had first played this game. It is a ROM Hack, which is an edit of an original game, changing sprites, music, dialogue, etc. The hack blends H.P. Lovecraft's Cthulhu Mythos into Super Mario World, and is made by Yashum who has subsequently removed it due to "personal issues," but he says it can be found if you have good Googling skills. The website dedicated to Super Mario World ROM Hacks is "Super Mario World Central" or SMWC, which is a community where designers can get together and upload all sorts of hacks. The game is very good. It offers a higher level of challenge to Super Mario World, but not something too difficult - out of interest, I tried Yashum's only other game "Super Luigi World: Luigi's Quest!" and found it much too difficult for me. This Cthulhu game includes all sorts of puzzles and clever levels to make for a very interesting play. I will rate the game just how they are rated on SMWC.
There is a rather good selection of music throughout, and Adam and I were wondering what some of it was, while also being pleasantly surprised at recognising others, so I will make a list of some of the tracks. A few are from other games, and the rest are custom music from SMWC. I like that it is a community based thing, and that skilled game designers can use skilled midi composers to add to their games.
This is a very intelligent, well thought-out game. It is a shame Yashum doesn't want it hosted any more, but I can only praise him for the strength of his efforts. SUPER MARIO WORLD I've picked it up again because it is rather simple to control when I'm feeling unwell. It reminds me of Josh, as we'd play it when we were little and I never used to understand how to make Cape Mario fly, so we'd laugh about that. It also reminds me of Phil because he became an expert at it after breaking his leg - he makes Mario leap boldly across the screen, whereas I panic and fall down a gap. THE CALL OF CTHULHU AND OTHER WEIRD STORIES - DELUXE EDITION I saw this in Waterstones and found it very attractive, although I was unable to find it for some time later until finally buying it in Toppings. The edges of the pages are cut in a strange frayed way, and the cover includes specialist artwork - other than that, it is the same as the normal Penguin edition and has the interesting notes in the back. Lovecraft's prose is poetic and boldly structured - certainly worth the bedtime read. RELATIVITY WATCH I am certainly not one for buying things on a whim, but I saw this and just had to get it because it is the typical kind of thing I would expect of myself. It has a reasonably simple design, and I like that the pin is not in the usual place. The numbers actually rotate on a disc, which completes a rotation every minute. It also includes Pi at 3, e at 8, x at 10, and - personal favourite - i at 1. Very enjoyable to wear and watch. LEGO MINIFIGURES I enjoy looking out for these - going into the shops and feeling the packets to see if I can locate the ones I want. Having always liked Minifigures the most, I am quite good at feeling for a top hat, say, or bunny ears. I have quite a pleasing collection now. MARIO PARTY I really love playing Mario Party with friends (6 being one of my favourites), so we bought this very soft, cuddly star to be passed around whenever someone wins a star in the game. It even says "マリオパーティ Mario Party" on the back. The games are always very cheery and fun, and cause much excitement when it comes to, for example, who can tap A the fastest, or why the CPU Player is using 3 Dice Blocks when he has no coins to buy the star anyway. THE GREAT BRITISH BAKE OFF For me, The Great British Bake Off is very exciting. This year I was disappointed that Ruby did not win, because I think she was the best of them all (she certainly won "Star Baker" more times than anyone else), and also she was not very confident, so it would have been nice to see her win. If anyone is in any doubt as to her winning, I suggest taking it up with her picture, left. Winner. PLAYING MUSIC I am very pleased to be able to play the Keyboard with some degree of skill because it is certainly nice to hear music played by your own self. I enjoy all sorts, from Ludovico Einaudi to Super Mario Land, with personal favourites being Tenmon's music and Pachelbel's Canon. Although not superb, I do also like to try composing my own pieces - although this is always just a make-up-up-as-we-go thing. THE GIRL ON THE DOOR There's a door in my house with a little drop of red paint on it, but to me I think that it looks like something. I see a girl in her red raincoat, peering over into a puddle that the rain has left; she even has red wellington boots, I think. I suppose I point this out because I am rather pleased with my ability to always find faces, patterns and shapes in things - and yet funnily, I am terrible at those puzzles where you have to "find the star" in all sorts of jumbled lines. WRITING BOOK I cannot always write much any more, since becoming ill, but when I do I am very proud to find my ability is just as good - my use of language and construction of prose is very pleasing to me in my writing book, even if here it is not as good as it could be. I find my handwriting has gotten worse, due to the everywhere pain, but ultimately I have been working on some very pleasing short stories for a collection I hope to complete and print. NATHAN FILER I am currently enjoying "The Shock of the Fall" by Nathan Filer - he writes about small, commonplace elements from family and life, but the style and prose with which he presents these details lifts them far from any mundanity and into a kind of close familiarity. Mainly though, I write because Nathan is also my teacher for the aforementioned collection of short stories I am writing - I very much enjoy his classes as he is helpful and interesting in what people are writing. The batteries in old Gameboy and Gameboy Color cartridges last for around 10 to 20 years because slowly, over time, they lose their charge. Adam's Game, Donkey Kong Land 2, was released in this country in 1997 when Adam and I were 4 and of course the battery is now flat. Games can still be played because they of course draw power from the Gameboy, but the save function fails. We set out to replace the battery and restore the save to the game. The first thing that needs to be done is for the cartridge case to be opened. On the back is a special security screw used solely by Nintendo, and to open this, equally special security tools are needed, which Adam went and bought online. GB and GBC games are screwed with the Inverted Hex Screw, whereas GBA games are locked with a tri-wing screw which requires a different screwdriver. The battery itself is attached to two metal arms which are soldered to the circuit board. It needs to be popped away from these arms with aid of a flathead screwdriver or other such tool. It is a little fiddly to detach the battery, particularly from the bottom arm which is difficult to get to from underneath. The arms then need to be bent back into shape and flattened out. At this point, it is possible to solder the new battery into place with a soldering iron. I do not own one of those, and also used to find them rather frightening at school; probably due to the frightening - and incomprehensibly Welsh - teacher I had to go with it. So an alternative method is to sandwich the new battery between the two arms under which is placed some electrical tape. With the tape wrapped tightly in place, all that needs to happen now is for the casing to be screwed back into place. Adam had to take out the game and reinsert it a few times because it is rather old, and then he had to whizz through a few levels of the game before it let him save. He switched it off and we waited a while. On switching it back on, the save file was available on the screen, and so this was a success. After this, Adam and I went to play Super Mario World on the Wii... It's a testament to the wonderful Nintendo that games are still being played this far into their futures. Within the last year or so I have been struggling with Chronic Fatigue Syndrome (M.E.) This comes with many side effects, one being that it is often hard to eat food - the food tastes of nothing much, and because I am extremely tired, it is hard to digest the food and hold my head up whilst trying to consume it. For this reason, I have often resorted to wholemeal toast because it is relatively easy to prepare and eat and, although not the most exciting of things, I like to think of it as a rather safe bet because it is plain and not too stodgy like its white counterpart. Although I cannot explain the way I feel, I have often read from others affected that it is like having a hangover; not that I know what that is like either, but I suppose it must feel a bit like having M.E. Still, I like to think of myself as a jolly person and so, to cheer myself up while feeling rather awful, I will tend to make a face out of the uneaten toast crusts - uneaten because they are not particularly nice in these lethargic states of mine. And so I present the photographs of these whimsical faces. Most are happy and some are sad, but all of them are rather amusing and I certainly enjoy looking at them; I am proud of myself for being a person who constructs such sturdy bases of joviality on grounds that are certainly not without their instabilities. Faces are in order from February to October 2013.
This deck is part of a trilogy: "three skills every great showman must posses - Style, Confidence and Mystery." This, for me, was the only one of the three worth having because the other two did not seem quite right. The Style Deck, for example, has the rather ugly company logo on the back design, which rather subtracts from the style in my view. Presumably I am not attracted to them because I do not posses Style (elbow-patched jacket) or Confidence (sitting indoors with elbow-patched jacket.) The back design here is pure black, which is simple yet clever because it really does make you want to know what the mystery is; what is on the other side of these cards, hmm? The deck is printed on Aristocrat Stock which differs to Bicycle stock in a way that I can only describe as more slippery. I also think that Aristocrat lasts a bit longer with handling than the normal stock, but that might just be me. Essentially, Aristocract = more dropable. I like the Pips on the number cards, but they would be better if they had some variation in texture; repeated textures show up badly on cards with lots of pips like 7s 8s and 9s. The Jokers are also a little ugly - they have the company logo on, and the name "Bedecieved" hidden in the graphic, which is a little eye-mangling, I think. The Court Cards are lovely, the idea to have the faces removed adds to the whole Mystery feel, and the graphic style is rather nice. The only drawback to these is the rather tight boarder around the pictures. I think this stifles the elegance of the deck a little, and appears to me as a little ironic because it is essentially confining the mystery. Normally Court Cards do have boarders, but here it does not work. Overall, a very nice deck, just held back a little by its unmysterious elements. Scores 4 out of 5
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David Tubb is a writer with an interest in cryptography, psychology and magic.
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